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- Të folurit me publikun është një mjet letrar që përdoret në drama kur aktori bisedon me publikun duke supozuar se nuk dëgjohet nga aktorët e tjerë. Own research - by shkendije
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- Të folurit me publikun është një koment i shkurtër dhe jo një fjalim siç është monologu. - Wikipedia
by shkendije - Related KudoZ question
Compare [close] - English
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- In drama, a speech directed to the audience that supposedly is not audible to the other characters onstage at the time. When Hamlet first appears onstage, for example, his aside "A little more than kin, and less than kind!" gives the audience a strong sense of his alienation from King Claudius. Bedford/St. Martin's
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- In order to highlight Palaestrio’s craftiness, Plautus has Periplectomenus in a long aside describe the slave's planning while the actor playing the slave mimes intense deliberation - Brooklyn College
by - What does not occur very often in Faust, though, are true asides, and most particularly those comical remarks which would normally produce a laugh in the audience. - Nancy Thuleen
by - Rene would regularly explain his ongoing predicament at the start, and make asides at the Audience regarding other people's leading statements. - tvtropes.org
by Compare [close] - Spanish
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- Un aparte, en las representaciones escénicas, es lo que dice un personaje cualquiera como hablando para sí o con aquel o aquellos a quienes se dirige y suponiendo que no lo oyen los demás.
DRAE - by Marta Pino Moreno
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Compare [close] - Dutch
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- terzijde: Onderdeel van het drama waarin een personage een (meestal kort) commentaar geeft op een situatie of het door één of meer andere personages gesprokene, waarbij deze andere personages verondersteld worden dat niet te horen. Eigenlijk is het publiek op dat moment de luisterende partij, waarbij dus in feite de zogenaamde vierde-wandfictie doorbroken wordt, maar zonder dat de tekst het karakter van ad spectatores krijgt. Het terzijde komt veel voor bij het komisch toneel, omdat het in staat stelt tot een komisch contrast, bijv. door de tegenstelling tussen wat op het toneel tegen een ander personage wordt gezegd en wat (met een knipoog) tot het publiek is gericht. DBNL - by Erica Magielse
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- Terzijde: Acteur die plotseling uit de scène treedt en zich richt tot het publiek.
Het kan gebeuren dat de acteur iets zegt tegen het publiek dat door de medespelers op het podium niet ‘gehoord’ mogen worden. - Theater Castellum
by Erica Magielse - Scene 3: Francesca en haar zus Miranda maken zich klaar voor de reis naar Malcolm. Miranda vertelt het publiek in een terzijde hoe jaloers ze is, omdat ze zelf op Malcolm valt. - Structuur van een Shakespeare tragedie
by Erica Magielse - Na zijn onthoofding trekt de held de kraag van zijn jas omhoog en valt hij stuiptrekkend op de grond, met benen die nog lang naspartelen. In een terzijde naar het publiek beklaagt hij zich over het gebrek aan bloemen op zijn begrafenis. ,,Nee, dán prins Bernhard...'', zo sneert hij nog even zonder hoofd naar het koningshuis van Oranje. - Recensie Trouw
by Erica Magielse - Related KudoZ question
Compare [close] - Bulgarian
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- театрална техника, при която репликите и изявленията на протагонистите са ориентирани към публиката, като в някои случаи актьорът излиза от играта и от драматичния си образ, за да влезе в пряк контакт със залата Own research - by 4leavedClover
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- Там имаше място на края, където цялата сцена светва в зелено, а ние се обръщаме към публиката и няколко реплики произнасяме към нея.
- БНР
by 4leavedClover - На сцена излиза строен мъж в черно, разтваря таблетка в чаша вода, капва капки в зачервените очи, изпива чашата, обръща се към публиката и изрича прочутата фраза: "Време е за шоу, приятели". - ДУМА - Култура
by 4leavedClover - Странен келнер (героят на Георги Спасов) приветства публиката с добре дошла в ресторант "Блаженство"
- СЕГА
by 4leavedClover - Related KudoZ question
Compare [close] - Turkish
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- 1) Oyuncunun rol gereği seyircinin duyacağı biçimde ama öbür oyuncuların duymadığı var sayımla düşüncelerini söylemesi. 2) oyuncunun doğrudan seyirciye dönerek konuşması. Tiyatro Terimleri - by Cagdas Karatas
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- Diderot bu türden bir teatralliği geride bırakmış resimleri yeni sınıfın ihtiyaç duyduğu tiyatro için de model olarak kabul etmişti. Dolayısıyla tiyatroda da klasik ya da neo-klasik yaklaşım bertaraf edilmeye çalışılıyordu. Öyleyse tiyatroda izleyici varlığını kabullenen her tür eğilim dışarıda bırakılmalıydı; uzun tiradlar, aparlar yerlerini daha doğal bir konuşma düzenine bırakmalıydı. - Yrd Doç Dr Beliz Güçbilmez (Ankara Ü
by Cagdas Karatas - Related KudoZ question
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