Translation for subtitles | Tradução para legendas

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Daniel Oliveira

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English to Portuguese: How to listen better - tips from a deaf guy \| Stephen O'Keefe \| TEDxStanleyPark
Source text - English 1 00:00:16,332 --> 00:00:20,559 Do you know someone with a listening problem? 2 00:00:22,243 --> 00:00:27,000 Or are you that someone who has a listening problem? 3 00:00:28,494 --> 00:00:33,095 Poor listening leads to misunderstandings, 4 00:00:33,550 --> 00:00:35,666 weaker relationships, 5 00:00:36,291 --> 00:00:38,216 even wars. 6 00:00:40,057 --> 00:00:43,318 By the way, I want you to know, I'm deaf. 7 00:00:43,318 --> 00:00:47,770 I don't want you to think I'm doing the world's worst 8 00:00:47,770 --> 00:00:51,237 Arnold Schwarzenegger impression ever 9 00:00:51,535 --> 00:00:54,637 (Applause) (Cheers) 10 00:00:56,534 --> 00:01:01,106 I'm here to share with you how to listen. 11 00:01:01,106 --> 00:01:03,987 I know how weird this is. 12 00:01:03,987 --> 00:01:07,937 A deaf person giving you listening tips. 13 00:01:08,275 --> 00:01:10,500 (Laughter) 14 00:01:10,500 --> 00:01:11,602 What's next? 15 00:01:11,602 --> 00:01:16,039 A blind person giving you decorating advice? 16 00:01:16,039 --> 00:01:18,306 (Laughter) 17 00:01:19,146 --> 00:01:24,024 Or Donald Trump giving you hair care tips? 18 00:01:24,200 --> 00:01:28,348 (Laughter) (Applause) (Cheers) 19 00:01:31,456 --> 00:01:36,887 Do you feel like everything you say goes in one ear and out the other? 20 00:01:38,149 --> 00:01:42,956 Or in my case, in one eye and out the other? 21 00:01:42,957 --> 00:01:45,488 (Laughter) 22 00:01:45,488 --> 00:01:49,623 Many years ago, I was set up on a blind date 23 00:01:50,143 --> 00:01:53,007 with my future wife, Ann-Marie. 24 00:01:53,744 --> 00:01:57,685 She found out I was deaf before our date 25 00:01:59,038 --> 00:02:05,186 so she bought a book called "Sign Language for Dummies." 26 00:02:05,253 --> 00:02:07,151 (Laughter) 27 00:02:07,941 --> 00:02:09,651 How great is that? 28 00:02:11,083 --> 00:02:14,130 (Applause) 29 00:02:15,857 --> 00:02:20,064 Only problem is I don't know any sign language. 30 00:02:20,064 --> 00:02:23,064 (Laughter) 31 00:02:24,005 --> 00:02:26,305 Except for the swear words. 32 00:02:27,808 --> 00:02:30,910 So on our date I explained to Ann-Marie, 33 00:02:31,288 --> 00:02:34,529 my parents raised me in a hearing world, 34 00:02:34,529 --> 00:02:38,696 all I have to do is look at you and read your lips. 35 00:02:39,736 --> 00:02:42,999 And by the way, you have the most beautiful lips. 36 00:02:42,999 --> 00:02:45,679 (Laughter) 37 00:02:46,726 --> 00:02:50,680 So our connection turned into romance and love. 38 00:02:50,680 --> 00:02:54,163 We have a wonderful son together. 39 00:02:54,721 --> 00:02:58,100 (Applause) 40 00:03:00,981 --> 00:03:05,935 And Ann-Marie says I hear better than anyone she's ever met. 41 00:03:05,967 --> 00:03:07,976 (Laughter) 42 00:03:07,976 --> 00:03:12,225 But you know what? it hasn't always been easy for me. 43 00:03:12,225 --> 00:03:14,255 Nobody's life is. 44 00:03:14,255 --> 00:03:16,344 I've had my challenges. 45 00:03:16,344 --> 00:03:19,650 You've had yours, and I've had mine. 46 00:03:19,650 --> 00:03:23,422 I've had to work so hard to communicate 47 00:03:23,422 --> 00:03:27,215 because being left out was out of the question. 48 00:03:28,589 --> 00:03:32,516 My lowest point was when I was 15 years old, 49 00:03:32,984 --> 00:03:36,225 I'm with my best friend, Chris. 50 00:03:36,225 --> 00:03:40,920 We're in Scouts together, and people call us 'the twins,' 51 00:03:40,970 --> 00:03:45,607 because we did everything together, including Scouts.	Translation - Portuguese 1 00:00:16,578 --> 00:00:20,559 Você conhece uma pessoa que não escuta? 2 00:00:22,067 --> 00:00:27,000 Ou você é a pessoa que não sabe escutar? 3 00:00:28,753 --> 00:00:32,944 Não saber escutar gera mal-entendidos, 4 00:00:33,550 --> 00:00:35,666 enfraquece relacionamentos, 5 00:00:36,291 --> 00:00:38,216 leva até mesmo a guerras. 6 00:00:39,767 --> 00:00:43,318 Aliás, quero que você saiba que sou surdo. 7 00:00:43,342 --> 00:00:45,088 Não quero que você pense 8 00:00:45,112 --> 00:00:51,334 que estou fazendo a pior imitação de Arnold Schwarzenegger do mundo! 9 00:00:51,359 --> 00:00:54,291 (Aplausos) (Vivas) 10 00:00:56,534 --> 00:01:01,106 Estou aqui para compartilhar o que sei sobre como escutar. 11 00:01:01,130 --> 00:01:03,963 Sei como isso é estranho. 12 00:01:03,987 --> 00:01:07,937 Um surdo dando dicas sobre como escutar melhor. 13 00:01:07,962 --> 00:01:10,476 (Risos) 14 00:01:10,500 --> 00:01:11,578 O que vem depois? 15 00:01:11,602 --> 00:01:16,039 Um cego dando conselhos de decoração? 16 00:01:16,063 --> 00:01:18,306 (Risos) 17 00:01:19,146 --> 00:01:24,024 Ou Donald Trump dando dicas para o cabelo? 18 00:01:24,049 --> 00:01:27,046 (Risos) 19 00:01:27,071 --> 00:01:30,051 (Aplausos) (Vivas) 20 00:01:31,456 --> 00:01:36,887 Você sente que tudo que você diz entra em um ouvido e sai pelo outro? 21 00:01:38,149 --> 00:01:42,956 Ou, em meu caso, entra por um olho e sai pelo outro? 22 00:01:42,957 --> 00:01:45,367 (Risos) 23 00:01:45,392 --> 00:01:49,623 Anos atrás, marquei um encontro às cegas 24 00:01:50,107 --> 00:01:53,007 com minha futura esposa, Ann-Marie. 25 00:01:53,744 --> 00:01:57,685 Ela soube que eu era surdo antes do nosso encontro. 26 00:01:59,038 --> 00:02:05,186 Então ela comprou um livro chamado "Linguagem de Sinais para Leigos". 27 00:02:05,211 --> 00:02:07,151 (Risos) 28 00:02:07,941 --> 00:02:09,651 Isso não é ótimo? 29 00:02:11,083 --> 00:02:14,130 (Aplausos) 30 00:02:15,631 --> 00:02:20,064 O único problema é que não sei nada de linguagem de sinais. 31 00:02:20,088 --> 00:02:23,064 (Risos) 32 00:02:23,753 --> 00:02:26,305 A não ser os palavrões. 33 00:02:27,808 --> 00:02:30,910 Então expliquei a Ann-Marie no encontro: 34 00:02:31,288 --> 00:02:34,505 "Meus pais me criaram em um mundo audível. 35 00:02:34,529 --> 00:02:38,696 Tudo que preciso é olhar para você e ler os seus lábios. 36 00:02:39,567 --> 00:02:42,999 E, por sinal, você tem os mais lindos lábios". 37 00:02:43,023 --> 00:02:45,679 (Risos) 38 00:02:46,548 --> 00:02:50,680 Então nossa conexão se transformou em romance e amor. 39 00:02:50,704 --> 00:02:54,163 Nós temos um filho maravilhoso. 40 00:02:55,091 --> 00:02:58,100 (Aplausos) 41 00:03:00,981 --> 00:03:05,935 E Ann-Marie diz que eu escuto melhor que qualquer pessoa que ela já conheceu. 42 00:03:05,967 --> 00:03:07,952 (Risos) 43 00:03:07,976 --> 00:03:12,225 Mas nem sempre isso foi fácil para mim. 44 00:03:12,249 --> 00:03:14,284 A vida de ninguém é fácil. 45 00:03:14,308 --> 00:03:16,320 Eu tive meus desafios. 46 00:03:16,344 --> 00:03:19,626 Você teve os seus, e eu os meus. 47 00:03:19,650 --> 00:03:23,398 Tive que trabalhar duro para me comunicar, 48 00:03:23,422 --> 00:03:27,215 porque ser deixado de lado estava fora de questão. 49 00:03:28,589 --> 00:03:32,792 Meu pior momento aconteceu quando tinha 15 anos. 50 00:03:32,817 --> 00:03:36,201 Estou com meu melhor amigo, Chris. 51 00:03:36,225 --> 00:03:40,945 Nós dois somos escoteiros, e as pessoas nos chamam de "os gêmeos", 52 00:03:40,970 --> 00:03:45,607 porque nós fazemos tudo juntos, até o escotismo.
English to Portuguese: The Lives cannot be Saved by Knowledge: Satoko Oki at TEDxUTokyo
Source text - English 1 00:00:23,083 --> 00:00:24,875 Good afternoon everyone. 2 00:00:24,884 --> 00:00:28,169 It's strange I've got to talk in English 3 00:00:28,170 --> 00:00:31,436 in front of a lot of Japanese, 4 00:00:31,437 --> 00:00:34,577 but I'm nominated in English so I have to. 5 00:00:35,455 --> 00:00:37,265 (Laughter) 6 00:00:38,751 --> 00:00:42,502 To start with, I'm Satoko Oki, from the Earthquake Research Institute, 7 00:00:42,503 --> 00:00:44,763 from the University of Tokyo. 8 00:00:45,213 --> 00:00:49,451 To start with, I would like you to guess what this is. 9 00:00:56,895 --> 00:01:00,194 I guess many Japanese got to know 10 00:01:00,195 --> 00:01:02,985 this is the earthquake early warning system. 11 00:01:02,986 --> 00:01:05,835 This system informs you of the intensity, 12 00:01:05,836 --> 00:01:09,256 or the time log till the strong motion comes. 13 00:01:10,042 --> 00:01:14,626 So every time an earthquake occurs in Japan, I get this information, 14 00:01:15,304 --> 00:01:17,973 day or night, I get this information to my cell phone, 15 00:01:17,974 --> 00:01:19,833 because I'm a seismologist 16 00:01:19,834 --> 00:01:23,094 who is in charge of giving information to the public. 17 00:01:26,773 --> 00:01:29,463 Why did I become a seismologist? 18 00:01:30,689 --> 00:01:36,089 I spent a usual day on the day of the Kobe earthquake 17 years ago. 19 00:01:37,741 --> 00:01:40,370 I was a high school student in Tokyo, 20 00:01:40,371 --> 00:01:43,331 and I didn't know what was going on in Kobe. 21 00:01:44,512 --> 00:01:45,921 When I got home, 22 00:01:45,922 --> 00:01:49,992 oh my gosh, all the TV programs showed this devastating disaster. 23 00:01:50,591 --> 00:01:55,510 A girl who was at the same age as me kept shouting to this rumble, 24 00:01:55,511 --> 00:01:58,647 (Japanese) "Mother! Mother!" 25 00:01:58,648 --> 00:02:00,967 She's screaming to her mom. 26 00:02:00,968 --> 00:02:04,447 I was having smoking hot dinner, 27 00:02:04,448 --> 00:02:07,730 and I couldn't understand why I was having this dinner, 28 00:02:07,731 --> 00:02:11,150 and she's screaming there at the same time. 29 00:02:11,151 --> 00:02:14,626 So that night, I decided to become a seismologist. 30 00:02:14,631 --> 00:02:16,246 Eleven years later, 31 00:02:16,247 --> 00:02:19,667 I got a doctorate degree in seismology at this university. 32 00:02:21,315 --> 00:02:24,235 Here's the next question to you: 33 00:02:24,835 --> 00:02:26,375 what is this? 34 00:02:30,180 --> 00:02:34,461 Actually, 10% of earthquakes occur in this country. 35 00:02:34,462 --> 00:02:37,911 We occupy only 1% of the Earth's surface, 36 00:02:37,912 --> 00:02:41,151 but earthquakes occurs ten times more often. 37 00:02:41,152 --> 00:02:45,191 So if you live in Japan, you should know about earthquakes. 38 00:02:45,192 --> 00:02:49,962 In other words, you are asked to have high earthquake literacy. 39 00:02:54,099 --> 00:02:58,309 I made every effort to give information to the public, 40 00:02:59,073 --> 00:03:01,666 I delivered lectures to school kids, 41 00:03:01,667 --> 00:03:07,709 and actually, those mid-school students were from the Tohoku region. 42 00:03:08,712 --> 00:03:10,991 So I taught them what a tsunami is, 43 00:03:10,992 --> 00:03:14,216 and what they should do to escape from a tsunami 44 00:03:14,217 --> 00:03:16,334 a year before the Tohoko earthquake. 45 00:03:18,148 --> 00:03:21,739 Let's think about the literacy, earthquake literacy. 46 00:03:22,592 --> 00:03:28,015 In 2004, a magnitude nine earthquake hit Sumatra. 47 00:03:28,666 --> 00:03:31,992 It caused 200,000 casualties - 48 00:03:31,993 --> 00:03:35,324 which is ten times as many as we had in Japan. 49 00:03:36,985 --> 00:03:38,590 A research revealed 50 00:03:38,591 --> 00:03:44,343 only 30% of the people in Indonesia had known the relationship 51 00:03:44,344 --> 00:03:47,343 between an earthquake and a tsunami.	Translation - Portuguese 1 00:00:23,214 --> 00:00:24,881 Boa tarde a todos. 2 00:00:24,905 --> 00:00:29,774 É estranho ter de falar em inglês, 3 00:00:29,799 --> 00:00:31,320 em face a tantos japoneses, 4 00:00:31,344 --> 00:00:35,283 mas fui apresentada em inglês, então tenho que fazê-lo. 5 00:00:35,307 --> 00:00:37,000 (Risos) 6 00:00:38,038 --> 00:00:42,344 Eu sou Satoko Oki, do Instituto de Pesquisa de Terremotos 7 00:00:42,368 --> 00:00:44,717 da Universidade de Tóquio. 8 00:00:44,741 --> 00:00:49,756 Para começar, gostaria que vocês adivinhassem o que é isto. 9 00:00:56,858 --> 00:00:59,953 Acho que muitos japoneses sabem 10 00:00:59,977 --> 00:01:02,654 que este é o Sistema de Alerta Antecipado de Terremotos. 11 00:01:02,678 --> 00:01:05,707 Esse sistema informa a intensidade 12 00:01:05,732 --> 00:01:09,376 ou o tempo até que o tremor chegue. 13 00:01:10,235 --> 00:01:14,814 Cada vez que um terremoto ocorre no Japão, eu recebo essa informação, 14 00:01:14,838 --> 00:01:18,065 não importa a hora, eu a recebo em meu celular, 15 00:01:18,089 --> 00:01:19,614 porque sou uma sismóloga, 16 00:01:19,639 --> 00:01:22,887 e minha função é passar essa informação ao público. 17 00:01:26,845 --> 00:01:29,522 Então, por que decidi ser uma sismóloga? 18 00:01:30,288 --> 00:01:36,464 Eu tive um dia comum quando houve o terremoto de Kobe há 17 anos. 19 00:01:37,738 --> 00:01:40,212 Eu era estudante do ensino médio em Tóquio 20 00:01:40,237 --> 00:01:43,592 e não sabia o que acontecia em Kobe. 21 00:01:44,122 --> 00:01:45,745 Quando cheguei em casa... 22 00:01:45,769 --> 00:01:50,323 Nossa, todos os programas mostravam esse terrível desastre. 23 00:01:50,347 --> 00:01:53,615 Uma garota da minha idade 24 00:01:53,640 --> 00:01:55,848 ficava gritando nos escombros: 25 00:01:55,872 --> 00:01:58,421 (Japonês) "Mamãe! Mamãe!" 26 00:01:58,421 --> 00:02:00,419 Ela gritava pela mãe. 27 00:02:01,233 --> 00:02:04,488 Eu estava comendo um jantar quente 28 00:02:04,512 --> 00:02:07,522 e não conseguia entender como eu estava jantando 29 00:02:07,546 --> 00:02:10,360 e ao mesmo tempo ela estava ali gritando. 30 00:02:10,877 --> 00:02:14,407 Então naquela noite decidi me tornar uma sismóloga. 31 00:02:14,431 --> 00:02:19,858 Onze anos depois, obtive o doutorado em sismologia por esta universidade. 32 00:02:21,330 --> 00:02:23,829 Então, aqui vai a próxima pergunta: 33 00:02:24,876 --> 00:02:26,113 o que é isto? 34 00:02:29,930 --> 00:02:34,241 Na verdade, 10% dos terremotos ocorrem no Japão. 35 00:02:34,265 --> 00:02:37,644 Nós ocupamos apenas 1% da superfície da Terra, 36 00:02:37,668 --> 00:02:40,509 mas os terremotos nos atingem dez vezes mais. 37 00:02:41,109 --> 00:02:45,146 Então se você vive no Japão, precisa saber sobre terremotos. 38 00:02:45,170 --> 00:02:50,721 Isto é, você precisa ter um grande conhecimento em terremotos. 39 00:02:53,132 --> 00:02:58,802 Eu fiz tudo que era possível para informar o público. 40 00:02:58,826 --> 00:03:01,476 Dei palestras para crianças em escolas... 41 00:03:01,500 --> 00:03:07,966 Estes eram alunos da região de Tohoku. 42 00:03:08,474 --> 00:03:13,987 Eu os ensinei o que era um tsunami e o que deveriam fazer para fugir dele, 43 00:03:14,011 --> 00:03:16,531 um ano antes do terremoto de Tohoku. 44 00:03:18,102 --> 00:03:21,844 Vamos falar de conhecimento em terremotos. 45 00:03:22,828 --> 00:03:28,356 Em 2004, um terremoto de magnitude 9 atingiu Sumatra. 46 00:03:28,380 --> 00:03:32,044 Ele causou 200 mil mortes. 47 00:03:32,068 --> 00:03:35,441 Dez vezes mais do que tivemos no Japão. 48 00:03:36,837 --> 00:03:42,278 Uma pesquisa revelou que só 30% das pessoas na Indonésia 49 00:03:42,278 --> 00:03:46,371 sabiam da relação entre um terremoto e um tsunami.
English to Portuguese: How to recognize a dystopia - Alex Gendler
Source text - English 1 00:00:06,953 --> 00:00:09,856 Have you ever tried to picture an ideal world? 2 00:00:09,856 --> 00:00:12,676 One without war, poverty, or crime? 3 00:00:12,676 --> 00:00:14,636 If so, you're not alone. 4 00:00:14,636 --> 00:00:19,206 Plato imagined an enlightened republic ruled by philosopher kings, 5 00:00:19,206 --> 00:00:22,077 many religions promise bliss in the afterlife, 6 00:00:22,077 --> 00:00:23,382 and throughout history, 7 00:00:23,382 --> 00:00:27,447 various groups have tried to build paradise on Earth. 8 00:00:27,447 --> 00:00:32,926 Thomas More's 1516 book "Utopia" gave this concept a name, 9 00:00:32,926 --> 00:00:35,517 Greek for "no place." 10 00:00:35,517 --> 00:00:37,707 Though the name suggested impossibility, 11 00:00:37,707 --> 00:00:40,077 modern scientific and political progress 12 00:00:40,077 --> 00:00:44,068 raised hopes of these dreams finally becoming reality. 13 00:00:44,068 --> 00:00:48,007 But time and time again, they instead turned into nightmares 14 00:00:48,007 --> 00:00:50,837 of war, famine, and oppression. 15 00:00:50,837 --> 00:00:53,988 And as artists began to question utopian thinking, 16 00:00:53,988 --> 00:00:58,768 the genre of dystopia, the not good place, was born. 17 00:00:58,768 --> 00:01:03,418 One of the earliest dystopian works is Jonathan Swift's "Gulliver's Travels." 18 00:01:03,418 --> 00:01:06,738 Throughout his journey, Gulliver encounters fictional societies, 19 00:01:06,738 --> 00:01:11,728 some of which at first seem impressive, but turn out to be seriously flawed. 20 00:01:11,728 --> 00:01:13,628 On the flying island of Laputa, 21 00:01:13,628 --> 00:01:18,287 scientists and social planners pursue extravagant and useless schemes 22 00:01:18,287 --> 00:01:22,147 while neglecting the practical needs of the people below. 23 00:01:22,147 --> 00:01:25,168 And the Houyhnhnm who live in perfectly logical harmony 24 00:01:25,168 --> 00:01:30,128 have no tolerance for the imperfections of actual human beings. 25 00:01:30,128 --> 00:01:33,488 With his novel, Swift established a blueprint for dystopia, 26 00:01:33,488 --> 00:01:37,179 imagining a world where certain trends in contemporary society 27 00:01:37,179 --> 00:01:38,928 are taken to extremes, 28 00:01:38,928 --> 00:01:42,258 exposing their underlying flaws. 29 00:01:42,258 --> 00:01:46,952 And the next few centuries would provide plenty of material. 30 00:01:46,952 --> 00:01:50,129 Industrial technology that promised to free laborers 31 00:01:50,129 --> 00:01:54,530 imprisoned them in slums and factories, instead, 32 00:01:54,530 --> 00:01:57,858 while tycoons grew richer than kings. 33 00:01:57,858 --> 00:02:02,699 By the late 1800's, many feared where such conditions might lead. 34 00:02:02,699 --> 00:02:06,489 H. G. Wells's "The Time Machine" imagined upper classes and workers 35 00:02:06,489 --> 00:02:09,209 evolving into separate species, 36 00:02:09,209 --> 00:02:13,840 while Jack London's "The Iron Heel" portrayed a tyrannical oligarchy 37 00:02:13,840 --> 00:02:17,399 ruling over impoverished masses. 38 00:02:17,399 --> 00:02:22,609 The new century brought more exciting and terrifying changes. 39 00:02:22,609 --> 00:02:26,680 Medical advances made it possible to transcend biological limits 40 00:02:26,680 --> 00:02:29,350 while mass media allowed instant communication 41 00:02:29,350 --> 00:02:31,980 between leaders and the public. 42 00:02:31,980 --> 00:02:36,159 In Aldous Huxley's "Brave New World", citizens are genetically engineered 43 00:02:36,159 --> 00:02:39,910 and conditioned to perform their social roles. 44 00:02:39,910 --> 00:02:42,690 While propaganda and drugs keep the society happy, 45 00:02:42,690 --> 00:02:46,490 it's clear some crucial human element is lost. 46 00:02:46,490 --> 00:02:52,020 But the best known dystopias were not imaginary at all. 47 00:02:52,020 --> 00:02:55,101 As Europe suffered unprecedented industrial warfare, 48 00:02:55,101 --> 00:02:57,673 new political movements took power. 49 00:02:57,673 --> 00:03:01,100 Some promised to erase all social distinctions, 50 00:03:01,100 --> 00:03:04,331 while others sought to unite people around a mythical heritage.	Translation - Portuguese 1 00:00:06,663 --> 00:00:09,504 Você já imaginou um mundo ideal? 2 00:00:09,528 --> 00:00:12,271 Um mundo sem guerras, pobreza ou crimes? 3 00:00:12,295 --> 00:00:14,238 Se sim, você não está sozinho. 4 00:00:14,262 --> 00:00:18,835 Platão pensou em uma república governada por filósofos. 5 00:00:18,859 --> 00:00:21,787 Muitas religiões prometem a felicidade após a morte. 6 00:00:21,811 --> 00:00:26,986 E por toda história grupos tentaram construir o paraíso na Terra. 7 00:00:27,010 --> 00:00:32,766 Em 1516, Thomas More deu um nome a essa ideia: "Utopia", 8 00:00:32,790 --> 00:00:34,965 do grego "lugar nenhum". 9 00:00:34,989 --> 00:00:37,668 Apesar de o nome sugerir algo impossível, 10 00:00:37,692 --> 00:00:40,087 o progresso científico e político 11 00:00:40,111 --> 00:00:43,726 gerou a esperança de esse sonho se tornar realidade. 12 00:00:43,751 --> 00:00:47,667 Mas várias vezes esse sonho tornou-se um pesadelo 13 00:00:47,691 --> 00:00:50,377 de guerras, miséria e opressão. 14 00:00:50,401 --> 00:00:53,811 Quando os artistas começaram a questionar a ideia de utopia, 15 00:00:53,835 --> 00:00:57,517 a distopia, "o lugar ruim", nasceu. 16 00:00:58,453 --> 00:01:03,064 "As Viagens de Gulliver" de Jonathan Swift é uma das primeiras obras distópicas. 17 00:01:03,088 --> 00:01:06,589 Em sua jornada, Gulliver se depara com sociedades fictícias. 18 00:01:06,613 --> 00:01:11,372 Algumas parecem ser notáveis, mas são, na verdade, defeituosas. 19 00:01:11,396 --> 00:01:13,299 Na ilha voadora de Laputa, 20 00:01:13,323 --> 00:01:18,127 cientistas e teóricos entregam-se a projetos bizarros e inúteis, 21 00:01:18,151 --> 00:01:21,350 negligenciando as necessidades das pessoas em terra. 22 00:01:21,974 --> 00:01:25,000 Já os Houyhnhnm vivem em uma harmonia racional, 23 00:01:25,024 --> 00:01:29,262 mas são intolerantes com os defeitos dos seres humanos. 24 00:01:29,846 --> 00:01:33,188 Com seu romance, Swift estabeleceu as bases da distopia 25 00:01:33,212 --> 00:01:38,536 ao imaginar um mundo onde aspectos da sociedade são exageradas, 26 00:01:38,560 --> 00:01:40,882 expondo assim suas falhas inerentes. 27 00:01:41,989 --> 00:01:45,710 E os séculos seguintes seriam ricos em exemplos. 28 00:01:46,655 --> 00:01:50,276 As tecnologias industriais prometeram libertar os trabalhadores, 29 00:01:50,300 --> 00:01:53,996 mas os confinaram em favelas e fábricas, 30 00:01:54,020 --> 00:01:57,569 enquanto os donos das fábricas ficaram mais ricos que reis. 31 00:01:57,593 --> 00:02:01,716 No final do século 19, muitos temiam a que isso podia levar. 32 00:02:02,269 --> 00:02:04,213 Em "A Máquina do Tempo" de H. G. Wells, 33 00:02:04,237 --> 00:02:09,186 a classe rica e a trabalhadora evoluem em diferentes espécies. 34 00:02:09,211 --> 00:02:11,437 Já em "O Tacão de Ferro" de Jack London, 35 00:02:11,462 --> 00:02:16,687 uma oligarquia tirânica governa as massas empobrecidas. 36 00:02:18,037 --> 00:02:22,094 O novo século trouxe mudanças espantosas. 37 00:02:22,118 --> 00:02:26,329 Progressos na medicina transcenderam os limites biológicos 38 00:02:26,353 --> 00:02:31,003 e a mídia de massa permitiu a comunicação entre líderes e público. 39 00:02:31,581 --> 00:02:33,856 Em "Admirável Mundo Novo" de Aldous Huxley, 40 00:02:33,880 --> 00:02:39,520 os cidadãos são geneticamente modificados e condicionados para seus papéis sociais. 41 00:02:39,545 --> 00:02:42,677 Embora a propaganda e as drogas mantenham todos felizes, 42 00:02:42,701 --> 00:02:46,413 fica claro que um elemento humano crucial é perdido. 43 00:02:46,996 --> 00:02:51,165 Mas as distopias mais conhecidas não foram imaginárias. 44 00:02:51,667 --> 00:02:54,870 Enquanto a guerra industrial tomava a Europa, 45 00:02:54,894 --> 00:02:57,518 novos movimentos políticos alcançavam o poder. 46 00:02:57,543 --> 00:03:00,689 Alguns prometiam eliminar as diferenças sociais, 47 00:03:00,713 --> 00:03:04,455 outros buscavam unir as pessoas ao redor de uma herança mítica.
Spanish to Portuguese: Las calles de tu ciudad hablan, ¿lo oyes? \| Isidro Jiménez \| TEDxAlcoi
Source text - Spanish 1 00:00:14,616 --> 00:00:15,602 Hola. 2 00:00:15,602 --> 00:00:19,279 Yo vengo a hablar de algo que conocéis muy bien. 3 00:00:19,279 --> 00:00:23,173 Son las calles de nuestra ciudad, de nuestras ciudades, 4 00:00:23,173 --> 00:00:26,391 es ese espacio que utilizamos para ir de un sitio a otro, 5 00:00:26,391 --> 00:00:29,756 pero también es ese espacio donde nos encontramos, nos hablamos, 6 00:00:29,756 --> 00:00:32,025 es decir, nos interrelacionamos. 7 00:00:32,025 --> 00:00:34,505 Lo interesante es que hay muchas formas de internacionalizarse, 8 00:00:34,505 --> 00:00:38,035 no solo es "Hola, ¿qué tal?" y algunas de ellas, 9 00:00:38,334 --> 00:00:41,695 son, vamos a decirlo así, más complejas de lo que parecen. 10 00:00:41,695 --> 00:00:45,895 Así que os propongo que recorramos la ciudad 11 00:00:46,039 --> 00:00:46,849 de otra manera, 12 00:00:46,849 --> 00:00:48,851 buscando justamente esas otras formas de interrelacionarse 13 00:00:48,852 --> 00:00:51,029 que no son tan habituales. 14 00:00:51,029 --> 00:00:54,879 Vamos a comenzar con una calle del centro de Madrid, 15 00:00:54,879 --> 00:00:59,149 donde, bueno, como veis, hay terrazas, hay unos cuantos bares 16 00:00:59,746 --> 00:01:02,950 en los últimos tiempos ha crecido bastante el turismo 17 00:01:03,010 --> 00:01:06,840 y con él, los precios también han subido, y vamos a decir así 18 00:01:06,840 --> 00:01:10,016 que no todo el mundo está del todo de acuerdo con esto, 19 00:01:10,016 --> 00:01:13,002 entonces arriba a la izquierda veis que hay un cartel verde 20 00:01:13,002 --> 00:01:16,920 no se ve muy bien, vamos a acercarnos y lo vemos mejor, 21 00:01:16,920 --> 00:01:21,110 A Dios pongo por testigo que no pagaré 3 pavos, 3 euros 22 00:01:21,137 --> 00:01:22,697 por una caña. 23 00:01:23,268 --> 00:01:27,278 como veis alguien a quien parece ser que le gusta bastante el cine 24 00:01:27,389 --> 00:01:31,354 y quizás un poco también el teatro, ha querido mostrarnos su queja 25 00:01:31,354 --> 00:01:34,105 de esta forma tan diferente y creativa. 26 00:01:34,105 --> 00:01:37,868 Esto es un poco, lo que se denomina arte urbano, 27 00:01:37,868 --> 00:01:39,792 o contrapublicidad también. 28 00:01:39,792 --> 00:01:42,970 Pensarlo y es probable que hayáis visto algo parecido 29 00:01:42,970 --> 00:01:44,999 en las calles de vuestra propia ciudad, 30 00:01:44,999 --> 00:01:49,172 incluso en soportes no tan habituales, por ejemplo: 31 00:01:49,172 --> 00:01:52,662 Una señal de tráfico, esto es una señal de tráfico 32 00:01:52,662 --> 00:01:56,976 en una calle de París, justo unos minutos antes de convertirse 33 00:01:56,976 --> 00:02:01,106 en esta otra señal de tráfico, que vendría a hacer algo así como 34 00:02:01,222 --> 00:02:05,164 "estoy agobia'o" por las prohibiciones. 35 00:02:05,164 --> 00:02:09,244 Pero igual que una señal dice una cosa, puede decir exactamente la contraria. 36 00:02:09,624 --> 00:02:14,174 Cómo sería una señal que dijera: Me encantan las prohibiciones. 37 00:02:14,647 --> 00:02:17,037 Por ejemplo, algo así. 38 00:02:17,974 --> 00:02:20,394 Ya estoy viendo el título, podría ser algo así como: 39 00:02:20,448 --> 00:02:24,488 París, la ciudad del amor por lo prohibido. 40 00:02:24,519 --> 00:02:27,019 Bueno, pues, esto, lo interesante es que ocurre 41 00:02:27,019 --> 00:02:31,149 desde hace bastante más tiempo del que parece, de hecho, se han 42 00:02:31,226 --> 00:02:35,976 encontrado hasta 10 000 inscripciones en una ciudad como Pompeya, 43 00:02:36,576 --> 00:02:39,929 en las calles, los muros, las paredes, en fin. 44 00:02:39,929 --> 00:02:44,369 Lo interesante es que hay desde poesía hasta chistes, 45 00:02:44,480 --> 00:02:46,780 hasta insultos con nombre y apellido. 46 00:02:46,780 --> 00:02:51,277 Hay tal cantidad de inscripciones que en el muro principal 47 00:02:51,277 --> 00:02:54,303 de la basílica de Pompeya, hay una inscripción en concreto 48 00:02:54,303 --> 00:02:56,453 que dice esto: Oh muros, 49 00:02:56,454 --> 00:02:59,594 habéis aguantado tantas inscripciones aburridas, que me asombra 50 00:02:59,645 --> 00:03:01,589 que no os hayáis derrumbado ya.	Translation - Portuguese 1 00:00:14,302 --> 00:00:15,583 Olá. 2 00:00:15,607 --> 00:00:19,080 Falarei sobre algo que vocês conhecem muito bem: 3 00:00:19,104 --> 00:00:22,889 as ruas de nossas cidades. 4 00:00:22,913 --> 00:00:26,206 Esse é um espaço que usamos para ir de um lugar a outro, 5 00:00:26,230 --> 00:00:29,459 mas também é um espaço onde nos encontramos, nos falamos, 6 00:00:29,483 --> 00:00:31,743 ou seja: onde nos relacionamos. 7 00:00:31,767 --> 00:00:34,486 É interessante como há muitas formas de nos relacionarmos, 8 00:00:34,510 --> 00:00:36,658 não só: "Oi, como vai?". 9 00:00:37,182 --> 00:00:41,442 E algumas formas são mais complexas do que parecem. 10 00:00:41,466 --> 00:00:46,475 Então sugiro que percorramos a cidade com um olhar diferente 11 00:00:46,499 --> 00:00:49,187 e procuremos essas outras formas de nos relacionarmos 12 00:00:49,211 --> 00:00:50,719 que não são tão comuns. 13 00:00:50,743 --> 00:00:54,663 Vamos começar por uma rua no centro de Madri. 14 00:00:54,687 --> 00:00:59,451 Nela, vocês podem ver terraços, bares... 15 00:00:59,475 --> 00:01:02,673 Nesses últimos tempos, o turismo cresceu bastante 16 00:01:02,697 --> 00:01:05,113 e os preços também subiram junto. 17 00:01:05,137 --> 00:01:09,585 Mas nem todos aceitam essa situação. 18 00:01:09,609 --> 00:01:12,933 Então acima e à esquerda, vocês veem um cartaz verde. 19 00:01:12,957 --> 00:01:15,995 Vamos nos aproximar para vê-lo melhor. 20 00:01:16,799 --> 00:01:18,780 "Deus é testemunha 21 00:01:18,804 --> 00:01:21,368 de que não pagarei três mangos 22 00:01:21,392 --> 00:01:23,259 por uma pinga." 23 00:01:23,285 --> 00:01:27,119 Como veem, alguém que parece gostar muito de cinema, 24 00:01:27,143 --> 00:01:29,133 e talvez também de teatro, 25 00:01:29,894 --> 00:01:33,885 quis nos mostrar sua reclamação dessa forma diferente e criativa. 26 00:01:33,909 --> 00:01:37,544 Isso é uma amostra do que chamam de arte urbana, 27 00:01:37,568 --> 00:01:39,456 ou, ainda, de "subvertising". 28 00:01:39,481 --> 00:01:42,621 Vocês devem se lembrar de terem visto algo parecido 29 00:01:42,645 --> 00:01:44,691 nas ruas de suas cidades, 30 00:01:44,715 --> 00:01:47,477 até mesmo em suportes poucos comuns. 31 00:01:47,501 --> 00:01:50,524 Por exemplo, em um sinal de trânsito. 32 00:01:50,548 --> 00:01:53,890 Este é um sinal de trânsito em uma rua de Paris, 33 00:01:53,914 --> 00:01:58,765 um pouco antes de se transformar neste outro sinal de trânsito, 34 00:01:59,968 --> 00:02:04,875 que pode significar algo como: "Estou sufocado pelas proibições". 35 00:02:04,899 --> 00:02:09,353 Mas assim como um sinal pode dizer algo, pode também dizer exatamente o contrário. 36 00:02:09,377 --> 00:02:14,453 Como seria um sinal que dissesse "adoro as proibições"? 37 00:02:14,477 --> 00:02:16,008 Assim, por exemplo? 38 00:02:17,947 --> 00:02:20,069 Já vejo o slogan: 39 00:02:20,093 --> 00:02:24,215 "Paris, a cidade do amor pelo proibido". 40 00:02:24,239 --> 00:02:26,381 Mas o que é interessante 41 00:02:26,405 --> 00:02:29,303 é que isso ocorre há muito mais tempo do que parece. 42 00:02:29,327 --> 00:02:33,857 De fato, foram achadas 10 mil inscrições 43 00:02:33,882 --> 00:02:36,310 em uma cidade como Pompeia. 44 00:02:36,334 --> 00:02:39,673 Em suas ruas, nos muros, nas paredes... 45 00:02:39,698 --> 00:02:44,321 O interessante é que há desde poesias, até piadas, 46 00:02:44,345 --> 00:02:46,745 até insultos com nome e sobrenome. 47 00:02:46,769 --> 00:02:49,096 Há tal quantidade de inscrições, 48 00:02:49,120 --> 00:02:52,685 que no muro principal da basílica de Pompeia 49 00:02:52,709 --> 00:02:55,155 há uma inscrição que diz o seguinte: 50 00:02:55,179 --> 00:02:58,900 "Oh, muros, vocês já aguentaram tantas inscrições estúpidas, 51 00:02:58,924 --> 00:03:01,296 que me espanta ainda não os terem derrubado".

Other - Brasillis (curso de legendagem)

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