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Russian to English: "Withdrawal of the Red Army" excerpt
Source text - Russian В 1966 в Лондоне прошел симпозиум «Разрушение в искусстве» (DIAS), среди участников была Йоко Оно.
Пит Таунсенд, гитарист The Who, был студентом в колледже искусств Илинга, где брал уроки у Гюстава Метцгера. В своей автобиографии Пит отмечает, что он был «воодушевлен работой, пионера саморазрушающегося искусства» и тайно планировал разбить свою гитару, если подвернется подходящий случай. Этот случай подвернулся в 1964 и это событие журнал Rolling Stone посчитал настолько важным, что включил его в список «50 мгновений, которые изменили Rock & Roll».
В 1990е появилась серия Гюстава Метцгера «Историческая фотография» – ответ на крупнейшие исторические события и катастрофы. Эта серия живет только на время выставки. Художник присылает подробные инструкции, и кураторы выполняют требования. После окончания выставки работы ликвидируются, и доклад с фотографиями уничтожения отправляется автору. Абсолютно концептуальная серия, не существующая в физическом виде, живущая только в качестве идеи художника. Все представленные фотографии из серии можно найти в интернете, на выставке используются именно эти фото не высокого разрешения, увеличенные и зернистые. Фотографии из серии невозможно увидеть полностью.
Translation - English The Destruction in Art Symposium (DIAS) was held in London in 1966, with Yoko Ono among the participants.
Pete Townshend, the guitarist for The Who, was one of Metzger’s students at Ealing Art College. In his autobiography, Townshend notes that he was “encouraged, too by the work of Gustav Metzger, the pioneer of auto-destructive art and secretly planned to smash my guitar if the moment seemed right.” This moment presented itself in 1964, and Rolling Stone considered it so important that it included it in its list of “50 Moments That Changed Rock and Roll.”
In the 1990s, Gustav Metzger created the series Historical Photographs, which was a response to major historical events and catastrophes. This series existed only during exhibitions. The artist would send detailed instructions, and curators would carry out his orders. After the exhibition was over, the work would be destroyed, and a report with photographs of their destruction would be sent to the artist. It is a completely conceptual series that does not exist in a physical form; it only existed as the artist's idea. All of the photographs from the series can be found on the Internet, and these photographs are the ones used in the exhibition; they are low quality, enlarged, and grainy. Photographs from the series cannot be fully seen.
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Years of experience: 15. Registered at ProZ.com: Dec 2010.
I am a Russian-to-English translator who specializes in texts related to the arts. I spent five years working in the Translation Department of the State Russian Museum, and have over 35 published exhibition catalogs to my name. I am interesting in work related to any aspect of the arts, academia, and marketing.
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