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- Të folurit me publikun është një mjet letrar që përdoret në drama kur aktori bisedon me publikun duke supozuar se nuk dëgjohet nga aktorët e tjerë. Own research - by shkendije
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- Të folurit me publikun është një koment i shkurtër dhe jo një fjalim siç është monologu. - Wikipedia
by shkendije - Related KudoZ question
Compare [close] - English
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- In drama, a speech directed to the audience that supposedly is not audible to the other characters onstage at the time. When Hamlet first appears onstage, for example, his aside "A little more than kin, and less than kind!" gives the audience a strong sense of his alienation from King Claudius. Bedford/St. Martin's
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- In order to highlight Palaestrio’s craftiness, Plautus has Periplectomenus in a long aside describe the slave's planning while the actor playing the slave mimes intense deliberation - Brooklyn College
by - What does not occur very often in Faust, though, are true asides, and most particularly those comical remarks which would normally produce a laugh in the audience. - Nancy Thuleen
by - Rene would regularly explain his ongoing predicament at the start, and make asides at the Audience regarding other people's leading statements. - tvtropes.org
by Compare [close] - Japanese
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- 傍白とは、舞台上のほかの人物には聞こえないという約束で語られるせりふ。この技法により登場人物は観客に自分のこころのうちを見せることができる。多くの場合ほかの人物の言動に対する反応として語られる。映画のクロースアップに似た効果があげられる。ひとり舞台に立って直接観客に向かって語りかける独白(soliloquy)と似ているが、舞台にほかの人物がいる点が違う。 シェイクスピアをたのしむた� - by Aogara
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- 歌舞伎には独白(たとえば「酒屋」のお園の「今頃は半七さん」や「三人吉三」のお嬢吉三の「月も朧に白魚の」)はあっても、傍白はない。独白と傍白はどこが違うか。独白はたいてい誰もいないところで主人公が内心の声を語る。
傍白は傍に人がいるのに主人公が内心の声を語る。歌舞伎に傍白がないのは、一つは芝居自体がリアルだから(その証拠に狂言には傍白がある)。もう一つはその役割を竹本にまかせて来たからである。それはそれですぐれた演劇的方法であった。ところがオペラは傍白だらけ。のみならず二重唱や三重唱で、相手の芝居を止めてまで傍白を使う。「愛陀姫」でいえば斉藤道三(弥十郎)、その娘の濃姫(勘三郎)、侍女愛陀姫(七之助)、その恋人木村駄目助左衛門(橋之助)らが、傍白を使ってそれぞれの心のうちを相手かまわずいうところは、このドラマの白眉であり、四人のおかれている劇的な状況が一挙にあきらかになる。その立体感、そのスピード感が出たのこそ傍白のもつ効果であり、この効果によって第二点があらわれる。 - 渡辺保「歌舞伎劇評」
by Aogara - Related KudoZ question
Compare [close] - Turkish
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- 1) Oyuncunun rol gereği seyircinin duyacağı biçimde ama öbür oyuncuların duymadığı var sayımla düşüncelerini söylemesi. 2) oyuncunun doğrudan seyirciye dönerek konuşması. Tiyatro Terimleri - by Cagdas Karatas
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- Diderot bu türden bir teatralliği geride bırakmış resimleri yeni sınıfın ihtiyaç duyduğu tiyatro için de model olarak kabul etmişti. Dolayısıyla tiyatroda da klasik ya da neo-klasik yaklaşım bertaraf edilmeye çalışılıyordu. Öyleyse tiyatroda izleyici varlığını kabullenen her tür eğilim dışarıda bırakılmalıydı; uzun tiradlar, aparlar yerlerini daha doğal bir konuşma düzenine bırakmalıydı. - Yrd Doç Dr Beliz Güçbilmez (Ankara Ü
by Cagdas Karatas - Related KudoZ question
- Compare this term in: Serbian, Albanian, Arabic, Bulgarian, Catalan, Czech, Chinese, Danish, German, Dutch, Greek, Spanish, Persian (Farsi), French, Hungarian, Italian, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Swedish, Ukrainian, Vietnamese
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