Chinese term (edited): ׳������

从词义上讲：

壮美: majestic, magnificent
beautiful, powerful or causing great admiration and respect:


优美: elegant, graceful, delicate
graceful and attractive in appearance or behaviour

Chinese term (edited): ׳À?͓Ń?> <input readonly type=text name=

Please read this text with UTF-8.

哲学论述的翻译很容易以讹传讹，康德原本怎说的，经过翻译后很容易走味。

Simon123 所引的连结里有不少错误的文字，如 Erhabenheil、Coreie Sclidnheit 和 anhangende Schinheit 应该是 Erhabenheit、freie Schönheit 和 anhängende Schönheit 之误。

不过，文中说「在美学的历史中，美的基本类型被认为分为两种：『优美 (英文 grace，德文 Grazie/Anmut) 』和『壮美 (英文 sublimity/grandeur，德文 Erhabenheit) 』。」这可能是「壮美与优美」的来源。

Chinese term (edited): ׳������

Like other eighteenth-century authors such as Edmund Burke, Kant draws a fundamental distinction between the beautiful and the sublime (see Sublime, the). Beauty pleases us through the free play of imagination and understanding. In our response to the sublime, however - which for Kant is not paradigmatically a response to art, but to the vastness and power of nature - we enjoy not a direct harmony between imagination and understanding, which are rather frustrated by their inability to grasp such immensities, but a feeling of them which reveals the power of reason within us (5: 257). And this, although it would seem to involve theoretical reason, symbolizes the power of practical reason, and thus the foundation of our autonomy, in two ways: our power to grasp a truly universal law, such as the moral law, and our power to resist the threats of mere nature, and thus the blandishments of inclination (5: 261-2 ).

In this way, the sublime symbolizes the sterner side of moral autonomy. But the experience of beauty is also a symbol of morality, precisely because the freedom of the imagination that is its essence is the only experience in which any form of freedom, including the freedom of the will itself, can become palpable to us (5: 353-4 ). Kant thus concludes his critique of aesthetic judgment with the remarkable suggestion that it is in our enjoyment of beauty that our vocation as autonomous agents becomes not just a 'fact of reason' but a matter of experience as well.

How to cite this article:
GUYER, PAUL (1998, 2004). Kant, Immanuel. In E. Craig (Ed.), Routledge Encyclopedia of Philosophy. London: Routledge. Retrieved August 25, 2004, from http://www.rep.routledge.com/article/DB047SECT12

[RTF] 一 為人生而藝術
File Format: Rich Text Format - View as HTML
... 中西美學家論美的標準也有此分別。 Eg.／西方康德《判斷力批判》講壯美（一譯崇高，sublime）
高於優美（beauty）。 ＼中國王國維《人間詞話》講無我之境高於有我之境。 五 重虛實相涵. ...
www.arts.cuhk.edu.hk/~kwaipiu/ chinese/culture/04-artTR.doc - Supplemental Result - Similar pages

艺术史园地<世纪在线中国艺术网
... 皆有这种审美原则的偏好和倾向，此中最代表性的审美形式，就是美(beauty，秀美、
优美 ... 因为它和生命意志与道德意识都直接相关。此中，以康德最为代表。
审美的颤栗原则最具特色的形式是崇高(sublime，壮美、雄伟)。康德 ...
cn.cl2000.com/history/dongtai/wen14.shtml - 22k - Cached - Similar pages

方东美---《以西方方法学的「关系逻辑」 ...
... 本身去看时，便会发现康德是要把他的知识研究范围，扩大到自然界里面去应用，
无形中就扩大理性的界限。然後再透过创造的幻想来发现realm of beauty (美的范域)、
realm of sublime(崇高的范域)。这样一来就把理性的应用范围扩大了 ...
sh.netsh.com/wwwboardm/962/57/72173.html - 19k - Supplemental Result - Cached - Similar pages

[PDF] 論文名稱： 崇高美與渥滋華斯的美學 ...
File Format: PDF/Adobe Acrobat
... 不過，當我們在研讀朗吉努斯、柏克、康德理論的同時， 是很可能陷入理論的矛盾裡。比方說，
康德主張 ... that we have to discuss is whether literature can be included in the sublime
or not ... In essence, our sense of beauty follows our human nature, as Santayana ...
etd.lib.nsysu.edu.tw/ETD-db/ETD-search/ getfile?URN=etd-0206104-115417&filename=etd-0206104-115417.pdf - Similar pages

以西方方法学的「关系逻辑」 ...
... 這也就是Fichte(費希特)為何要修正康德的純 ... 範圍，擴大到自然界裏面去應用，
無形中就擴大理性的界限。然後再透過創造的幻想來發現realm of beauty
(美的範域)、realm of sublime(崇高的範域)。這樣一來就把理性的應用範圍擴大了 ...
www.fanwang.net/fjyzx/f58.html - 65k - Cached - Similar pages

Chinese term (edited): ׳������

magnificence/concinnity

--------------------------------------------------
Note added at 15 hrs 7 mins (2004-08-26 01:58:48 GMT)
--------------------------------------------------

If you do not like \"concinnity\", Elegancy is a choice.

magnificence/Elegancy

--------------------------------------------------
Note added at 15 hrs 12 mins (2004-08-26 02:03:11 GMT)
--------------------------------------------------

con·cin·ni·ty
Function: noun
Inflected Form(s): plural -ties
Etymology: Latin concinnitas, from concinnus skillfully put together
: harmony or elegance of design especially of literary style in adaptation of parts to a whole or to each other.
http://www.m-w.com/cgi-bin/dictionary?book=Dictionary&va=con...